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Focus Sounds

Brown, pink and white noise

Steady broadband noise, generated in your browser rather than streamed. Play one layer or blend all three, set your own balance, and give it a stop time. Nothing is downloaded and nothing leaves the page.

The mix

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Brown noise

Deep and low, closest to distant surf or a long rumble. Most people find it the least tiring to leave on.

Pink noise

Equal energy per octave, so it sounds balanced rather than bright. Steady rainfall is the usual comparison.

White noise

Flat across all frequencies, which puts a lot of energy in the treble. Good at masking speech, harsh at volume.

Auto-off

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The stop time is anchored to the clock, so it lands when it should even if the tab has been in the background.

Good to know

Playback continues while you work in another tab or app. Closing this tab ends it, because the sound is being generated here rather than streamed from anywhere.

Set the level so that you stop noticing the noise. If you can hear it clearly over your own typing, it is louder than it needs to be for masking.

Your mix, levels and stop time are saved on this device.

How to use it

Press play on one layer to start. The button on each layer turns it on or off, and its slider sets how much of it you hear, so two or three can run together in whatever balance you like. A common starting point is brown noise on its own at a low level, with a little pink added if it feels too muffled. The master slider then sets the volume of everything at once.

Blending layers

Each layer is a different slope across the frequency range. Brown is heavily weighted to the bass, pink sits in the middle, and white spreads energy evenly, which our ears read as bright and hissy. Mixing brown with a small amount of white gives you the low bed plus enough high end to cover voices, which is usually what an open-plan office needs.

Setting a stop time

Pick 15, 30 or 60 minutes if the noise is there for a work block or a nap, and the mix fades out over the last 10 seconds rather than cutting off. Choose until stopped for anything open-ended. Changing the choice while noise is playing restarts the countdown from that moment.

Volume and your ears

Noise is meant to sit under what you are doing. Turn it up only until the sounds you were trying to escape stop pulling at you, then leave it there. Hours of listening at a high level through headphones carries the same hearing risk as anything else played that loudly, and the point of masking does not require volume.

What noise can and cannot do

The reliable part is masking. Broadband noise raises the floor of what you hear, so a conversation two desks away, a door, or traffic no longer stands out sharply against silence. Your attention is pulled by change and contrast, and noise reduces both. That is an acoustic effect, and it holds regardless of what you believe about it.

The claim that noise improves cognition is much weaker. Studies point in different directions, effects are small, and several find that continuous noise helps some people while it costs others, with results varying by task and by baseline attention. Brown noise in particular has a large following in the ADHD community, and many people report it helps them settle. Those reports are worth taking seriously as preference, but they are not the same as evidence that a particular sound tunes your brain.

So treat this as a masking tool and a matter of taste. If it makes a noisy room workable or gives you a consistent audio cue that work is starting, it is doing its job. If you find it irritating or it makes reading harder, that is a real result too, and silence or earplugs may serve you better.

Why there is no rain, cafe or fireplace

Those are recordings, and a recording has to come from somewhere and be licensed. Every sound here is calculated from a random number generator in your browser, which is why the page has no audio files, no third-party player and nothing to load. It also means the noise never repeats in an obvious way. Synthesised rain and fire exist as techniques, but they end up sounding like filtered noise with a wobble on it, so the honest version is the noise itself.

Frequently asked questions

Which one should I pick?

Try brown first. It is the least fatiguing over long stretches because most of its energy is low, and it is the one people most often leave running for hours. Move to pink if brown feels muddy, and add white only if you specifically need to cover nearby speech, since speech sits in the range white is strongest at. There is no correct answer here, so spend a minute on each at a low volume and keep whichever you stop noticing first.

Does it keep playing when I switch tabs?

Yes. Audio keeps running while the tab is in the background, and the auto-off fade is scheduled on the audio clock so it happens on time even when browser timers are being throttled. Closing the tab or navigating away stops it, because the sound is being generated by this page and not held anywhere else. Your mix and levels come back the next time you open the page.

Can I sleep with this on?

People do, and continuous low-level noise is a reasonable way to cover a noisy street or a snoring partner. Two practical notes. Set an auto-off if you would rather not have sound running all night, and keep the volume genuinely low, since a device playing next to your head for eight hours is a long exposure. The sleep research on noise is mixed in the same way the focus research is: it helps some sleepers, and some studies find it fragments sleep, so judge it by how you feel in the morning.

Why does the sound not loop audibly?

Each layer is a few seconds of noise generated once and then looped, with the end of that buffer crossfaded over its beginning so there is no click or bump at the seam. Because noise has no melody or rhythm to recognise, a smoothly joined loop is indistinguishable from an endless stream, and it costs a fraction of the processing.

Related tools

Working with sound on is a personal preference, not a rule. If you want the structure without the audio, the Pomodoro timer does the same job in silence.