How to use it
Press play on one layer to start. The button on each layer turns it on or off, and its slider sets how much of it you hear, so two or three can run together in whatever balance you like. A common starting point is brown noise on its own at a low level, with a little pink added if it feels too muffled. The master slider then sets the volume of everything at once.
Blending layers
Each layer is a different slope across the frequency range. Brown is heavily weighted to the bass, pink sits in the middle, and white spreads energy evenly, which our ears read as bright and hissy. Mixing brown with a small amount of white gives you the low bed plus enough high end to cover voices, which is usually what an open-plan office needs.
Setting a stop time
Pick 15, 30 or 60 minutes if the noise is there for a work block or a nap, and the mix fades out over the last 10 seconds rather than cutting off. Choose until stopped for anything open-ended. Changing the choice while noise is playing restarts the countdown from that moment.
Volume and your ears
Noise is meant to sit under what you are doing. Turn it up only until the sounds you were trying to escape stop pulling at you, then leave it there. Hours of listening at a high level through headphones carries the same hearing risk as anything else played that loudly, and the point of masking does not require volume.